EXHIBITIONS
2025
TRUTH SOCIAL, Galerie am Lindenplatz
Facts, Fakes and Fears at EIGENHEIM Weimar, Germany
Phillips Auction House, ArtBasel, Hong Kong
Echos, HOFA Gallery, London UK
The Second Guess,, Haus der Elektronischen Künste, Basel CH
Truth Social, Galerie am Lindenplatz, Vaduz, Liechtenstein
I am my muse, Klocker Museum, Innsbruck Austria
2024
Metaverse3, Museum of Contemporary Art Nanshan, Shenzhen, China
SpringBreak Show, Los Angeles, California
Fighting Windmills, (solo exhibition) Verse London, UK
Lyon Biennale, Lyon, France
Biennial of Imaginaries 2024, Marseille, France
Fxhash, ArtBasel, Basel Switzerland
Believe me (solo exhibition), Nguyen Wahed Gallery, New York City
After the Machine (solo exhibition), ATHR Gallery, Saudi Arabia
ArtBasel, Bitforms gallery, Basel Switzerland
2023
Making Art Making Human (solo exhibition), Museum of Contemporary Art, Milan Italy
Annka Kultys Gallery, Cacotpia07, London UK
A Leap into the Void, Museum of Contemporary Art, Bergamo, Italy
Youtopia, the NFT Gallery, New York City
Web 3.0 Aesthetics, Annka Kulty Gallery, London UK
2022
World of Networks, Centre Pompidou, Paris France
future bodies, Upstream Gallery, Amsterdam, NL
#retouched, The National Arts Club, New York, NY
Command + Control + Q, DAM Projects, Berlin Germany
Web 3.0 Aesthetics, Annka Kulty Gallery, London UK
Command + Control + Q DAM Gallery, Berlin, Germany
Data Streams, Glucksman Museum, Dublin, Ireland
I’m not a Robot, galloire gallery, Dubai, UAE
2021
The Artist is Online, König Galerie, Berlin, Germany
Réseaux-Mondes, Center Pompidou, Paris, France
The Situation Room, Museum of Moving Image, New York, NY
Natively Digital, Sotheby’s, New York
Thinking of You, König Galerie, Berlin, Germany (solo September 2021)
It was good while it lasted, bitforms gallery, New York, NY (solo, Oct 2021)
brbxoxo, galleri belenius, stockholm, Sweden (solo December 2021)
NY PROOF OF ART, Museum Francisco Carolinum, Linz, Austria
not in, of, along, or relating to a line, Art Gallery at NYUAD, Abu Dhabi, UAE
2020
Sleep Mode, Somerset House, London, UK
The Situation Room, Museum of Moving Image, NY NY (commission) Lockdown Fog, DAM gallery, Berlin, DE (solo exhibition)
Typologies of the Real, CAFA Art Museum, Beijing, China
2019
24/7, Somerset House, London, UK
Embedded Parables, bitforms gallery, NY NY
Topologies of the Real, CAFA Art Museum (CAFAM), Beijing, China
NEoN, Abertay University, Dundee, Scotland
Technocare, Kunstraum Niederösterreich, Vienna, Austria
Behind the Screen, KINDL Center for Contemporary Art, Berlin, Germany
Data Dating, Watermans Art Center in London, London, England
Brave New Virtues, Austrian Museum of Applied Arts (MAK), Vienna, Austria
Extract, bitforms LA, Los Angeles, CA
As We May Think: Feedforward, 6th Guangzhou Triennial, Guangdong Museum of Art, Guangzhou, China
POSTCENTRAL, Nome Gallery, Berlin, Germany
Spot on. Alte Fabrik Rapperswil, Rapperswil, Switzerland
NEMO Biennial, Region of Île-de-France
2018
Coping Mechanisms, Bern, Switzerland (solo exhibition)
Alone Together, bitforms gallery, New York City (solo exhibition)
Sing The Body Electric Biennale, Arsenal Contemporary Art, Montreal, CA
Breaking the Code, Museum Angewandte Kunst, Frankfurt/Main, Germany
Innsbruck International (commission), Innsbruck Austria
Data Dating, Galerie Charlot, Paris, France
Hidden in Plain Sight, Abandon Normal Objects, Manchester, UK
Capitalist Consumption, York Mediale, York, UK
Seoul Mediacity Biennale, Seoul, Korea
Sacred Objects, Haifa Museum of Art, Tel Aviv, Israel
HUMAN+, Palazzo delle Esposizioni, Rome, Italy
Terms and Conditions May Apply, Annka Kultys Gallery, London, UK
The Current//Truth, Current Museum, New York City
Artificial Paradise, Kunstlerhaus Graz, Graz Austria
Guangzhou Triennial, Guangdong Museum of Art,, China
2017
ArtScience+, Museum of Contemporary Arts, Singapore
Unquestionable Optimism, Johannes Vogt, East Hampton, New York
The World Without Us, Drugo more, Rijeka, Croatia
The World Without Us, Vžigalica Gallery, Ljubljana, Slovenia
How Will We Work, Vienna Biennial, MAK, Vienna Austria
Casco/Fotodok, Utrecht, The Netherlands
Networking the Unseen, Villa Merkel, Esslingen, Germany
Casco/Fotodok, Utrecht, The Netherlands
bitforms retrospective, minnesota street project, San Francisco
extracting abstracting, Steve Turner Contemporary, Los Angeles,
Privacytopia Binary, Belgium Brussels
Real Time, Lo Pati Centre d'Art, Tarragona, Spain
Hacking/Modding/Remixing as Feminist Protest, Miller Gallery, Carnegie Mellon University
Alien Matters, hause der kulturen der welt, Berlin, Germany
Science and Fiction, Sommercasino, Basel, Switzerland
2016
Liminal Laws, Haus der elektronischen Künste Basel , Basel, Switzerland (solo exhibition)
Invisible Threads, Art Gallery at NYUAD, Abu Dhabi
Untitled Miami, Miami
moscow International Biennale, Moscow, Russia
Temporary Highs, bitforms gallery, New York City, NY
Monochrome, Societé Brussels, Belgium
Electronic Superhighway, Whitechapel Gallery, London, UK
Liminal Laws, MU, Eindhoven, Netherlands (solo exhibition)
Magic and Power, museum MARTa, Herford, Germany
Traffic, Vögele Kultur Zentrum, Pfäffikon, Switzerland
BHP, Betwixt Festival, Singapore Art Museum, Singapore, Indonesia (solo exhibition)
REAL TIME, Arts Santa Mònica, Barcelona, Spain
2015
Human+, Centre of Contemporary Culture, Barcelona, Spain
PowerPoint Polemics, The Photographers’ Gallery and the Goethe-Institut, London, England
No Place to Hide, Tang Museum, Saratoga Springs, NY
GLOBALE - Infosphere, ZKM Museum of Contemporary Art, Karlsruhe, Germany
UNTITLED Miami, with bitforms gallery, Miami, Florida
Earth Machines, Yerba Buena Center for the Arts, San Francisco, California
Eyebeam in Objects, Upfor Gallery, Portland, Oregon
Drone Paintings, The New Museum, New York City, NY
FAT GOLD: A Retrospective of FAT lab, Grey Area, San Francisco, California
SEVEN, The Boiler, Brooklyn, NY
The International, MAMA, Rotterdam NL
F.A.T GOLD: Five Years of Free Art and Technology, Gray Area, San Francisco, California
From Heaven to Hell , Boghossian Foundation, Brussels, Belgium
Hamster und Hipster, Museum für Angewandte Kunst, Frankfurt, Germany
#artandfeminism, Fondation d’entreprise Galeries Lafayette, Paris, France
subversiv, GrazMuseum
Panopticon, Utah Museum of Contemporary Art, Salt Lake City, UT
Captive Portal, Center for Contemporary Art, Tel Aviv, Israel
2014
Shellshock, bitforms gallery, New York, New York (solo exhibition)
Art-Untitled 2014, Miami Beach, with bitforms gallery
Critical Perspectives on Pornography, Carroll/Fletcher, London, UK
This Connection is Untrusted, The Link Center for the Arts, Online (solo exhibition)
All My Little Words, PARMER, New York, New York
//the_ART_of_DATA, Boulder Museum of Contemporary Art, Colorado
Cash Rules Everything Around, Rua Red, Dublin, Ireland (solo exhibition)
Perspectives of Imaginary Futures, House of Electronic Arts Basel, Basel, Switzerland
Notre Itinéraire Galerie Georges Verney-Carron, Lyons, France
Obsessive Sensing, LEAP, Berlin, Germany
FULLSCREEN, xpo gallery, Paris, France
FACELESS, Mediamatic Fabriek, Amsterdam, The Netherlands
Occupy Beit Ha'ir, Beit Ha’ir Museum, Tel Aviv, Israel
Annual Showcase, Eyebeam Art + Technology Center, New York, New York
UNPAINTED, Munich, Germany
2013
emoji art and design show, Eyebeam Art + Technology Center, New York, New York
Out of the Box, Museum of Applied Arts / Contemporary Art, Vienna, Austria
F.A.T GOLD: Five Years of Free Art and Technology, MU, Eindhoven, The Netherlands
HARD ? WARE ? SOFT ? CORE, Team Titanic, Berlin, Germany
Paddles On!, Phillips, New York, New York
PRISM Break Up, Eyebeam Art + Technology Center, New York, New York
_MON3Y AS AN 3RRROR, online
Open(art), Eyebeam Art + Technology Center, New York, New York
FACELESS, MuseumsQuartier Wien, Vienna, Austria
Copie Copains Club (Copycat Friends Club), Gaîté Lyrique, Paris, France
Run Computer Run, Rua Red, Dublin, Ireland
Click Festival, Kulturvaeftet, Copenhagen, Denmark
Digital Now, Tower's Art Gallery, Brussels, Belgium
F.A.T. GOLD: Five Years of Free Art and Technology, Eyebeam, New York, New York
Istanbul Biennial, Istanbul, Turkey
Selected Press
2018
Addie Wagenknecht Wants Us to Be Alone, Together, Lenny, Feb 2018
Digital Interface: Addie Wagenknecht’s Alone Together, BOMB, Jan 2018
The 5 Shows to See in New York Right Now, The Observer, Jan 2018
Art Events To See in NY This Week, ArtNews, Jan 2018
How to Make the Best of New York, Forbes Magazine Jan 2018
2017
Fending Off the Apocalypse With Blingee Art, NYMag, April 2017
At Seven on Seven Conference, Artists and Technologists Unite to Ponder Politics, Sexting, Fake News, and More, ArtNews, April 2017
Cryptoparty Huck magazine, March 2017
Invisible Threads: Technology and its Discontents, The National, March 2017
Addie Wagenknecht e l’arte della sorveglianza, Artribune, February 2017
2016
NYU Abu Dhabi Presents Invisible Threads, Harpers Bazaar December 2016
Art Takes Action in a Post-Snowden World, Creators, September 2016
Private Data as a Luxury Good, Motherboard, September 2016
Addie Wagenknecht, Interview, All3dp, July 2016
Winding back Time, ArtNews, June 2016
the feminist groups disrupting bro-tech, Dazed Magazine, March 2016
Electronic Superhighway, SFAQ, February 2016
Tracing a 50 year love affair with Computers, WIRED, February 2016
Electronic Superhighway, exhibition review: Take a trip in time machine of tech, The Evening Standard, February 2016
Electronic Superhighway review – 50 years of internet sex and roadkill , The Guardian, February 2016
Electronic Dreams and Modern Technology in the Art World, The Guardian, January 2016
2015
Addie Wagenknecht im Kulturpalast, 3sat Germany, October 2015
Frauen Der Kunst, Monopol Magazin, September 2015
Addie Wagenknecht - Tracks ARTE (Germany and France), September 2015
3D printed liberator guns become a chandelier sclupture, Creators Project, August 2015
Painting highlights from Seattle Art Fair and Out of Sight, New American Painting, August 2015
At Seattles First Art Fair, Hyperallergic, August 2015
Exploring Feminist Hacking with Deep Lab i-D Magazine, July 2015
Abuse of data comes as no surprise, Impose Magazine, July 2015
The greatest digital artist of the 21st Century, Complex Magazine, June 2015
Ideas City, New York, The Guardian, June 2015
Deep Lab Cyberfeminist Research Collective, Impose Magazine, May 2015
The Agenda in New York, Art in America, May 2015
9 events to attend in New York City, ARTnews, May 2015
Everyone is a Hacker, ArtFCity, May 2015
Regarding Security Cameras: SEVEN Ponders ‘Post-Surveillance Art’, ArtNews, May 2015
At a Surveillance-Themed Art Fair, Snowden Is the Star, Hyperallergic, May 2015
Five works of encryption art, Gizmodo, May 2015
newhive is the new platform for post internet art, i-d magazine, April 2015
Kunstmesse Art Cologne startet, Deutsche Welle, April 2015
Commissioning a Portrait of the Digital Crowd, Hyperallergic, April 2015
Top Ten, Artforum, April 2015
Programmiert wie Mädchen!, Wired Germany, March 2015
Glass Ceilings, DIS Magazine, March 2015
Networking the Personal, and Anthropomorphized Technology in Addie Wagenknecht’s Artwork, Bullet Magazine, January 2015
Deep Lab, Deep Dive, Creative Applications, January 2015
The All Women Hacker Collective Making Art About The Post Snowden Age, Vice, January 2015
2014
Suppression Architecture, Art in America, December 2014
Giving Up Control: Two Artists Who Do Drones Differently, ArtSlant, November 2014
Golden CCTV cameras and wifi scluptures, Creators Project, November 2014
Addie Wagenknecht: Cloud Queen, Drone Mistress, Opening Ceremony, October 2014
Digital Wanderer, Postmatter, Oct 2014
Sex Cams and Voyeurism make for Great Art, Vice Motherboard, August 2014
Digital Bildhauer, art magazin, August 2014
What's the Mona Lisa of Digital Art?, Yahoo, July 2014
Guardian and Chris Milk Launch Digital Art Series with Pussy Drones, artnet, July 2014
All I know and then some, Neural, July 2014
Pussy Drones, The Guardian, July 2014
We love collecting... digital art, artnet, June 2014
CASH RULES EVERYTHING AROUND, review, prosthetic knowledge, June 2014
Baby, I got your money. An interview with Addie Wagenknecht, Totally Dublin, June 2014
On Screen and on the Block, The New York Times, June 2 2014
Burqa's as figurehead of liberation, de' Correspondents, April 2014
Die Idee des Jahres: Kaffee-Kraftstoff, Edward Snowden und ein twitternder Dachs, arte, April 2014
UNPAINTED: new node for the digital art market , Art Magazine Spain, April 2014
Revealing the Illusion of Perfect Beauty with Art Series Law of Averages, Creators Project, April 2014
F.A.T. GOLD Europe: Five Years of Free Art & Technology, ArtSlant, March 2014
Forging The Future,POSTmatter, February 2014
Pricing Pixels: Breaking Down the Barriers of Selling Digital Art, Complex, January 2014
Under the Hood Of the All Emoji Programming Language, Fast Company, January 2014